000 01518cam a2200409 a 4500
001 15010285
005 20160822173203.0
008 070917s2008 enk b 001 0 eng
010 _a 2007038429
015 _aGBA808630
_2bnb
016 7 _a014500003
_2Uk
020 _a9780415395946 (hb : alk. paper)
020 _a0415395941 (hb : alk. paper)
020 _a9780415395960 (pb : alk. paper)
020 _a0415395968 (pb : alk. paper)
020 _a9780203928585 (ebook)
020 _a020392858X (ebook)
035 _a(OCoLC)173182810
_z(OCoLC)166360310
035 _a(OCoLC)ocn173182810
040 _aDLC
_cDLC
_dBAKER
_dBTCTA
_dYDXCP
_dBWK
_dC#P
_dUKM
_dVVC
_dDLC
050 0 0 _aPN2058
_b.G66 2008
082 0 0 _aDC 792.028019
_22008
_bG61s
100 1 _aGoodall, Jane R.
245 1 0 _aStage presence /
_cJane Goodall.
260 _aLondon ;
_aNew York :
_bRoutledge,
_cc2008.
300 _avii, 223 pages ;
_c22 cm.
504 _aIncludes bibliographical references (p. 206-215) and index.
505 0 _aThe supreme attitude -- Drawing power -- Mesmerism -- Dash and flash -- Being present.
650 0 _aActing
_xPsychological aspects.
650 0 _aActing.
650 0 _aStage presence.
856 4 1 _3Table of contents only
_uhttp://www.loc.gov/catdir/toc/ecip0727/2007038429.html
365 _b3,839.00
_cPhp
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2ddc
_cDC
999 _c4003
_d4003